After Massimo brought the Helvetica typeface to America in 1965, he and Lella moved on to a diverse array of projects, including New York’s subway signage and maps; the interior of Saint Peter’s Church at Citicorp Center; Venini lamps; Heller dinnerware; furniture for Poltrona Frau; and branding for Knoll International, Bloomingdales, Saks Fifth Avenue, Ford and American Airlines. 

Luminaries from the world of design – from architects Richard Meier and Peter Eisenman to graphic designers Milton Glaser, Michael Bierut, and Jessica Helfand – bring us into the Vignellis’ world, capturing their intelligence and creativity, as well as their humanity, warmth, and humor.